The Steinitz Gambit

Few events during the last ten years of Loyd’s life gave him as much pleasure as his winning the first prize in the Novelty Tourney of the little Canadian magazine Checkmate. It was the first problem tourney that I bad promoted, and he responded to my request for an entry with the greatest alacrity. By return of post came the Steinitz Gambit, composed in the cars on the way down-town to his office. I was not surprised, seeing the startling originality of the theme, when the judge, Geo. E. Carpenter, awarded it the prize; and Loyd was delighted about it. “I am greatly tickled to think of it as the prize­winner! Just think of its being nearly fifty years since I began taking prizes and am still able to keep it up. I really think that I can compose or solve as quickly as ever, but unfortunately I have so little time to devote to it that there is not much probability of my adding much to my collection” (L., 11th November, 1903). 

My account of the rapid composition of the Steinitz Gambit was generally questioned in Europe. It was decided that the problem could not be an impromptu, and that I must be very gullible to accept it as such. I mention this to show how little Loyd’s genius was understood by those whom he used to call the “careful critics.” The chief trait of his genius was its spontaneity, and this resulted, as I have explained before, in frequent inaccuracies and in occasional lack of finish. These faults we readily overlook in view of the unfailing freshness of treatment which they produced. I had to send the Steinitz Gambit back to Loyd twice for minor repairs, before it was completely sound. “I thought that Black Pawn Queening,” he wrote me, “was such a strong defence that no one in his common sense would look for any other! (L., 15th April, 1903).

His own criticism of the Steinitz Gambit was as follows The originality of the problem is due to the White King being placed in absolute safety, and yet coming out on a reckless career, with no immediate threat and in the face of innumerable checks. The freedom of the Black King to move, or to capture the Knight, constitutes a pretty feature of what may be looked upon as a remarkably bold theme (MS.).

The motto of the problem would give the solution away immediately to any player familiar with the Bishop’s Gambit; but problemists in general would probably not remember that the distinctive move, constituting the Steinitz Gambit, is 5 K-K 2! Loyd knew it only too well from experience, as the first time he ever saw the opening played was by Delmar in the memorable third game of their match in 1879.